Назырила опять кучу всяких фильмов: два ромкома, две мелодрамы и один исторический фильм про очень крутого чувака.
Ромком: Имена людей/Le Nom des gens, 2010 год, Франция.
Простенькая и милая комедия о тетке-оторве и мужике-зануде, которые внезапно находят друг друга. Тетка – дочь хиппи-активистки и мигранта из Алжира, она ходит в ночнушках и фонтанирует идеями. Чувак – вирусолог, застегнутый на все пуговицы. У тетки в жизни смешная концепция: она обращает мужиков в свою веру, затаскивая их в постель.
Асисяй: Просто вместе/Ensemble, c’est tout, 2007 год, Франция.
Очень милое кино по роману Анны Гавальды, к тому же с Одри Тоту и Гийомом Кане, более глубокое, чем предыдущее, но тоже вполне позитивное.
По стечению обстоятельств в одной квартире живут трое молодых, очень одиноких и неприкаянных людей: тетка-уборщица, мужик-повар и мужик-почтальон. Тетка на самом деле в душе художница, а мужики – один шеф, а второй – актер. Но занимаются не своим делом. Волшебный пендель друг от друга здорово помогает им в жизни.
Мелодрама: Летняя история/A Summer Story, 1988 год, Великобритания.
Очередное древнее кино по роману Голсуорси, которое я раскопала в фильмографии Джеймса Уилби.
Хорошенький кучерявый джентльмен путешествует по английской глубинке. Закозявив ногу, он находит приют у фермеров. А у них – хорошенькая дочь. Нога джентльмена мгновенно выпрямляется, но он все равно решает погостить у фермеров подольше.
Исторический: Я, Дон Жуан/I, Don Giovanni, 2009 год, Испания/Италия/Австрия.
Кусок биографии Лоренцо ди Понте, автора либретто опер Моцарта и Сальери и вообще адского жгуна. Вот здесь про него писала:
https://www.facebook.com/iryna.maiboroda9/posts/10224402667549144
Мелодрама: Морис/Maurice, 1987 год, Великобритания.
Очень крутой старенький фильм Джеймса Айвори, доказывающий, что про эгегеев очень прекрасно снимали еще в 80-е. И никто не орал, потому что интернета не было. Такое себе “Зови меня своим именем” 80-х. В кино есть восхитительный юный Хью Грант, милый Джеймс Уилби и прехорошенький Руперт Грейвс. Кино в целом не на разрыв пердильной косточки, а вполне позитивное.
Еще в детстве крошка Морис (из приличной буржуазной семьи) понял, что девочки ему как-то не алле. Но он старательно гнал от себя эту мысль. В закрытой школе, где все приличные британцы того времени проходили школу эгегейства, Морис повстречал аристократа Клайва. И тут ему наконец все открылось. А вот че с этим делать – непонятно.
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